Encouraging a higher standard for Christian music

Archive for the ‘new song’ Category

~ Chapter 3 ~ Music – The Sound and the Unsound


“A thought-provoking look at humanity’s most influential form of expression, MUSIC  – The Sound and the Unsound

Music

THE SOUND

AND THE

UNSOUND

 

C H A P T E R  T H R E E

MUSIC AND RELIGION THROUGH THE AGES

“As soon as they went out from the Presence of the Lord, they started building cities, they started making instruments, they started in science – making brass and iron, and they started playing music. Where did it come from? Who went out? Cain, the serpent’s seed. “9

Within man there exists an inherent impulse to worship. God even provisioned our physical beings with an instrument through which we can declare our devotion – the human voice. When we choose to vary  the  melody  and rhythm of our vocal sounds, the result is music, and nothing characterizes the very essence of worship like the unornamented songs of man.

The Bible gives us very few written clues concerning the first music  produced by man, but our oldest existent vocal traditions, such as that of the Jewish cantor, the Moslem muezzin calling the faithful to prayer, or even the chanting of the North American Indian, indicate that mankind’s first musical expressions were likely a part of his religious experience. As man’s musical skills developed, he began to fashion instruments from what he found in nature – bones, horns, willow bark, animal skin and gut – and he adapted these materials to suit his personal needs. Jubal, the great-great-great-great grandson of Cain, was “the father of all such as handle the harp and organ, ” (instrumental music) Genesis 4:21, reflecting the love of beauty and the arts, which was his birthright.

In time, as men developed their artistic abilities, music began to take on many forms and serve many functions, both sacred and profane. From generation to generation, musical expression played such a vital part in cultural development that the religious morals and social values of a given community reflected in the quality of the music that they produced.

Most music produced by the people of the Bible never developed beyond simple homogeneous songs and chants with basic accompaniment of harps, trumpets, and cymbals. Much of the Hebrew music was consecrated to the service of the Temple worship, but throughout the Scriptures there are numerous accounts of secular use also: songs of triumph after victory, songs at marriage celebrations and festivals, songs for shepherds and for kings.

In the great temples of ancient Egypt, the priests trained choirs in the singing of ritual music to pagan gods. Their songs were complemented by the clapping together of sticks and disks.

At the same time, in other parts of the world, more primitive societies evoked their deities in a wild abandon of religious fervor and emotional ecstasy, accompanied by the pounding of syncopated rhythms on a hollow log.

Music has always left behind evidence of its effect upon a given society. One can even trace the rise and fall of civilizations by making a parallel study of the types of music listened to during the corresponding era.10 Four hundred years before the birth of Christ, the Greek philosopher Plato said, “When modes of music change, the fundamental laws of the state change with them. Through foolishness they deceived themselves into thinking that there was no right or wrong in music, that it was to be judged good or bad by the pleasure it gave.”

At the time of Christ, both vocal and instrumental music were flourishing. Jesus and His followers participated in the traditional Jewish synagogue music, and undoubtedly this directly influenced early Christian songs. The ornamented cantonal melodies were adapted to the new teachings of Christ and absorbed into the fledgling Christian faith. It was common practice for a cantor to serve a synagogue on Friday evening and then place his skills at the disposal of the Christians on Sunday.11

Instrumental music played no part in the life of the early Christian church. Instruments had too many associations with the debauched life of Rome, and only the voice was considered to have the purity and nobility worthy of God’s ear. Cantorial chant evolved gradually into a slow-moving, unison singing called plainsong (later known as Gregorian chant), which dominated Christian worship for a thousand years. During the  Middle Ages, there was an attempt by the church-world to gain widespread control of music by deeming certain chords to be un-harmonious and therefore blasphemous and unworthy to reflect the glory of God. The church denounced all music that was unsanctified by a sacred text.

In 1517, Martin Luther nailed his Ninety-Five Theses on the door of the church at Wittenberg (accusing the Roman Catholic church of corruption) and the Reformation was born. Luther, an accomplished musician, threw out much of the old church music and wrote new hymns, bringing the language of the people (rather than Latin) into use for sacred songs. He declared, “ Nothing on earth is more powerful than noble music in making the sad joyful, the arrogant discreet, the despondent valiant; in charming the haughty to humility, and in mitigating envy and hatred.” Luther believed that music in the church served as a resounding sermon,12 and he is accredited with saying that he didn’t care who preached, as long as he wrote the song. By acknowledging the staying power of music in the worship experience, Luther single-handedly established congregational singing as an important part of the Christian church service. Elements of harmony, which had been reserved previously for highly trained musicians of the church, were now being mastered and sung by the common people. Music and religious worship became bonded into one, inseparable experience. It seemed that the fellowship of a common faith could be expressed through song far more effectively than through a formalized cannon, dogma, or ritual of the church.

In secular use, music was becoming a melting pot of sounds. The clash of cultures, which had been launched by the Crusades in 1096, brought many different musical traditions together, and increasingly these new harmonies and rhythms found their way into the music of Europe. Near the end of the sixteenth century, new printing methods and a newly developed system of musical notation made possible the duplication of every kind of music and placed it on the open market. It was the dawning of a new day for both the composer and the performer. Music was on its way to becoming a universal language.

With the passing of the centuries, there was also a darker, more sinister form of music finding expression and establishing its place within the musical brotherhood of mankind. This music involved a complex primitive theology embracing fetishes, totems, and magic. It was born in the sacrificial incantations to a river god, nurtured by the unimaginable horrors of slavery, and released upon the New World to wage war with the God of Christianity. It was called  ‘voodoo,’ and its throbbing beat prophesied of the evil fruit it would yield.

By the early 1600s, the Western colonization of other lands was a growing concern. Spanish and Portuguese colonies in the New World and Africa were already well established, and an armada of ships operated by slave traders plied the waters from Western Europe to the coast of Africa. After picking up their human cargo, they would continue their voyage across the southern Atlantic to Brazil, Central America, the West Indies, and the New World. And wherever they were sent, the slaves took their music with them – an agonized inspiration that would become the cornerstone for virtually every American musical expression to follow.13

By the time the New World was being recognized as a blossoming mission field by the various progeny of Luther’s reformation movement, the rhythm and melody of Africa had already joined with the harmonies of European music, which the church had so carefully nurtured, and a powerful new musical form was born.

Taken from the magazine ONLY BELIEVE (no longer in publication). The regression of music amongst our churches is a cancer which, if not properly dealt with, will suck the true Life out of The Church. This downward spiral is caused by a lack of discernment and a general lowering of standards by a generation wanting something new and different rather than stand fast, and hold to what is tried and true, proven, and right. Many have failed to heed the warning expressed in this article. Innumerable groups, bands, and various musical artists spawned forth since Brother and Sister Smith published this article in December 1991, [Vol. 4, No 3].  No doubt the Christian artists she names here gave birth to groups like: MercyMe,KutlessNewSongSidewalk prophets The David Crowder band,Casting CrownsJeremy Camp, and Third Day to name a few. If Brother Branham called people like Pat Boone, modern day Judases, obviously these are too. What kind of person feeds off these groups, and promotes their demonic inspired lyrics and music within our churches? I pray this article will help someone. (the pictures are mine) – [DM – discerningMusic editor]
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Detours – In Thy Constant Love Thou Hast Led The People!

 

 

When Pharaoh let the people go, “God did not guide them by the road towards the Philistines, though that way was the shortest…. God made them go round by way of the wilderness towards the Red Sea” (Ex 13: 17, 18 NEB).

The direct route would save time as well as wear and tear on the people, but God had something infinitely more important than economics in mindHe wanted the people to be able to sing the song of praise of chapter 15–“The Lord is my refuge and my defence…my deliverer. He is my God and I will glorify Him; He is my father’s God and I will exalt Him” (Ex 15:2 NEB). They sang this song because they had firsthand experience of God’s power and deliverance. Pursued by all the chariots and horses, cavalry and infantry of Egypt, they had passed through the Red Sea in safety and seen the enemy drowned. They would have missed this glorious lesson if they had taken the short road.

When we are puzzled by delays and detours, let us think about the great purpose of life: to glorify God. The lessons He wants to teach us “in the wilderness” are priceless means of providing us with a song we could not otherwise have sung: “In Thy constant love Thou hast led the people!” (Ex 15:13).

Exodus 13 
1 The LORD said to Moses, 2 “Consecrate to me every firstborn male. The first offspring of every womb among the Israelites belongs to me, whether man or animal.” 3 Then Moses said to the people, “Commemorate this day, the day you came out of Egypt, out of the land of slavery, because the LORD brought you out of it with a mighty hand. Eat nothing containing yeast. 4 Today, in the month of Abib, you are leaving. 5 When the LORD brings you into the land of the Canaanites, Hittites, Amorites, Hivites and Jebusites—the land he swore to your forefathers to give you, a land flowing with milk and honey—you are to observe this ceremony in this month: 6 For seven days eat bread made without yeast and on the seventh day hold a festival to the LORD. 7 Eat unleavened bread during those seven days; nothing with yeast in it is to be seen among you, nor shall any yeast be seen anywhere within your borders. 8 On that day tell your son, ‘I do this because of what the LORD did for me when I came out of Egypt.’ 9 This observance will be for you like a sign on your hand and a reminder on your forehead that the law of the LORD is to be on your lips. For the LORD brought you out of Egypt with his mighty hand. 10 You must keep this ordinance at the appointed time year after year. 11 “After the LORD brings you into the land of the Canaanites and gives it to you, as he promised on oath to you and your forefathers, 12 you are to give over to the LORD the first offspring of every womb. All the firstborn males of your livestock belong to the LORD. 13 Redeem with a lamb every firstborn donkey, but if you do not redeem it, break its neck. Redeem every firstborn among your sons.

 14 “In days to come, when your son asks you, ‘What does this mean?’ say to him, ‘With a mighty hand the LORD brought us out of Egypt, out of the land of slavery. 15 When Pharaoh stubbornly refused to let us go, the LORD killed every firstborn in Egypt, both man and animal. This is why I sacrifice to the LORD the first male offspring of every womb and redeem each of my firstborn sons.’ 16 And it will be like a sign on your hand and a symbol on your forehead that the LORD brought us out of Egypt with his mighty hand.”

Crossing the Sea

 17 When Pharaoh let the people go, God did not lead them on the road through the Philistine country, though that was shorter. For God said, “If they face war, they might change their minds and return to Egypt.” 18 So God led the people around by the desert road toward the Red Sea. [a] The Israelites went up out of Egypt armed for battle.

 19 Moses took the bones of Joseph with him because Joseph had made the sons of Israel swear an oath. He had said, “God will surely come to your aid, and then you must carry my bones up with you from this place.” [b]

 20 After leaving Succoth they camped at Etham on the edge of the desert. 21 By day the LORD went ahead of them in a pillar of cloud to guide them on their way and by night in a pillar of fire to give them light, so that they could travel by day or night. 22 Neither the pillar of cloud by day nor the pillar of fire by night left its place in front of the people.

 

 
Author: Elisabeth Elliot Source: A Lamp For My Feet

God Leads Us Along

 

Rowland V. Bingham, founder of the Sudan Interior Mission, was once seriously injured in a terrible automobile accident. Rushed to the hospital in critical condition, he did not regain consciousness until the next day. When he asked the nurse what he was doing there, she replied, “Don’t try to talk now, just rest. You have been in an accident.”

“Accident? Accident?” exclaimed Dr. Bingham. “There are no accidents in the life of the Christian. This is just an incident in God’s perfect leading.” Our attitude toward the Lord’s leading our steps ought to be the same. When we live righteously before Him, free from known sin, there are no accidents in our lives, only incidents in His perfect leading. Let Him lead you today.

~~

GOD LEADS US ALONG
(G.A. Young, public domain)

In shady green pastures, so rich and so sweet,
God leads His dear children along.
Where the water’s cool flow bathes the weary one’s feet,
God leads his dear children along.

CHORUS:
Some through the waters, some through the flood,
Some through the fire, but all through the Blood.
Some through great sorrow, but God gives a song
In the night season, and all the day long.

Sometimes on the mount where the sun shines so bright,
God leads His dear children along.
Sometimes in the valley, in darkest of night,
God leads His dear children along.

Though sorrows befall us and evils oppose,
God leads His dear children along.
Through grace we can conquer, defeat all our foes,
God leads His dear children along.

Bible guidelines for Christian Music:

Here’s a summary of Bible guidelines for Christian Music:

BIBLE GUIDELINES FOR CHRISTIAN MUSIC

 CHRISTIAN MUSIC SHOULD PRAISE THE LORD JESUS CHRIST — NOT MAN

The LORD is my strength and my shield; my heart trusted in him, and I am helped: therefore my heart greatly rejoiceth; and with my SONG will I PRAISE him.Psalm 28:7

 CHRISTIAN MUSIC IS FOR THE LORD — NOT FOR THE WORLD

Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts TO THE LORD. Colossians 3:16

 CHRISTIAN MUSIC IS A NEW SONG — NOT AN OLD SONG

I will sing a NEW SONG unto thee, O God: upon a psaltery and an instrument of ten strings will I sing praises unto thee. Psalm 144:9

 CHRISTIAN MUSIC’S MESSAGE SHOULD BE CLEAR — NOT VAGUE OR DECEPTIVE

I will sing with the spirit, and I will sing with the UNDERSTANDING also. 1 Cor. 14:15

 CHRISTIAN MUSIC SHOULD EMPHASIS THE MESSAGE — NOT THE MUSIC — NOR THE MUSICIAN

Sing forth the honour of his name: make his praise glorious. Psalm 66:2

 CHRISTIAN MUSIC IS IN THE LOCAL CHURCH — NOT CONCERT HALLS, NIGHT CLUBS.

Saying, I will declare thy name unto my brethren, in the midst of the CHURCH will I sing praise unto thee. Hebrew 2:12

 CHRISTIAN MUSIC SHOULD FEED THE SPIRIT — NOT THE FLESH

Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and SPIRITUAL songs, singing with grace in your hearts to the Lord. Colossians 3:16

 CHRISTIAN MUSICIANS SHOULD BE DEDICATED TO THE LORD — NOT WORLDLY

18 And be not drunk with wine, wherein is excess; but be filled with the Spirit;
19 Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord; Ephesians 5:18-21

Copyright © 1995 Dial-the-Truth Ministries

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